經典確立與創作建構——明清女詞人與李清照

Translated title of the contribution: The Set-up of Canon and Writing Construction: Female Ci writors of Ming-Qing and Li Qingzhao

張宏生*

*Corresponding author for this work

Research output: Contribution to journalJournal articlepeer-review

Abstract

明清之後,批評家公認李清照的詞可以和詞史上任何一個大家相提並論。明清女詞人寫作的時候,已經不再關心李的改嫁問題,可見她們在確立自己的創作經典時,關注的主要是詞的文學體性。明清女詞人對李清照的推崇,主要體現在兩個方面:一是對其作品中的某些精彩語意的欣賞,一是追和其作品。明清的女詞人或許没有什麽具體的文學批評著作,但她們以自己的創作加入了對李清照形象的建構,這實際上也是一種文學批評,而在這一過程中,她們也建構了自己的形象,使人們從一個側面看到明清兩代女性文學的興盛。 

Critics of the Ming and Qing dynasties thought that Li Qingzhao was not only an outstanding female Ci-wsites but also the one whose works were as distinguished as other male-writers in the literary history. It was interesting that Li’s remarriage was not the point as before when the women poets of Ming-Qing were composing. It was important for them to examine writing canons by literary characteristics. As to Li Qingzhao, the Ci-writers of Ming-Qing appreciated the charming grace of her Ci-poems, and also followed her writing style. Though most women Ci-writers of Ming-Qing didn’t have critical writings, they set Li’s image by their own Ci writings and constructed themselves at the same time. All of these showed the flourish of Women’s Literature in the Ming and Qing dynasties.
Translated title of the contributionThe Set-up of Canon and Writing Construction: Female Ci writors of Ming-Qing and Li Qingzhao
Original languageChinese (Traditional)
Pages (from-to)279-313, 366
Number of pages36
Journal中華文史論叢
Issue number4 (總第88輯)
DOIs
Publication statusPublished - 20 Dec 2007

User-Defined Keywords

  • 李清照
  • 明清
  • 女詞人
  • 經典
  • 建構

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