新时期中国电影的悲剧觉醒

Translated title of the contribution: The Awakening of Tragedy in Chinese Films of New Period

卢伟力*

*Corresponding author for this work

Research output: Contribution to journalJournal articlepeer-review

Abstract

建国后,文艺受社会主义意识型态支配,有很多压抑,"悲剧"是其中一个禁区,既无作品亦无研究。文革后,中国人感性触觉开始甦醒,时代、家园、个人种种不幸,由表象到本体,使生命悲感意识得到培养、还原、提升。本文结合20世纪西方悲剧理论、弗洛依德心理学和亚尔道锡意识形态理论,探讨新时期中国电影的悲剧觉醒。从叙事结构、影像性质及戏剧动作等分析代表影片,建构出悲剧觉醒后受苦生命抗争、坚忍与超越三种提升自我的路向。
Translated title of the contributionThe Awakening of Tragedy in Chinese Films of New Period
Original languageChinese (Simplified)
Pages (from-to)39-55
Number of pages17
Journal贵州大学学报 (艺术版)
Volume28
Issue number6
DOIs
Publication statusPublished - 25 Dec 2024

User-Defined Keywords

  • 新时期
  • 中国电影
  • 悲剧
  • 悲剧觉醒
  • 悲剧意识
  • New Period
  • Chinese films
  • tragedy
  • tragic awakening
  • tragic consciousness

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