建基於復古之創新: 融合藝術史研究與書法創作的跨領域途徑

Translated title of the contribution: The Refreshing Paradox of Embracing Innovation for a Return to Antiquity: An Interdisciplinary Approach to Integration of Art Historical Research with Creative Art Practice of Chinese Calligraphy

Research output: Chapter in book/report/conference proceedingChapterpeer-review

Abstract

書法史研究與書法創作屬不同領域的工作,一般藝術史學者甚少身兼專業書法家的角色。本文作者長期從事藝術史研究與書法創作,並嘗試打破兩者界限。作者於本文中闡明如何應用藝術史研究去構建一套融合藝術史和創作的個人理論,並將其理念注入創作。作者所列舉的個人創作例子既包含傳統形式如甲骨文、金文和隸書對聯,亦包含跨藝術媒介創作,如書法雕塑、大型書法表演及場域特定的書法即景創作。

Historical research of calligraphy and its creative practice fall into different disciplines. In most cases, art historians do not double up as practising calligraphers. The writer, however, has been conducting art-historical researches and creating calligraphic works, with the purpose of trying to transgress the boundaries of the two areas. This essay aims to illustrate how art historical research could be integrated into personal creative theory, and subsequently practiced. Examples listed in this essay include couplets in oracle-bone, bronze and clerical scripts, alongside interdisciplinary creation such as calligraphy sculptures, big-character calligraphy performances and site-specific and improvisational works of calligraphy.
Translated title of the contributionThe Refreshing Paradox of Embracing Innovation for a Return to Antiquity: An Interdisciplinary Approach to Integration of Art Historical Research with Creative Art Practice of Chinese Calligraphy
Original languageMultiple languages
Title of host publication香港視覺藝術年鑑2018
Editors 譚偉平
Publisher香港中文大學藝術系
Pages193-237
Number of pages45
ISBN (Print)9789627055334
Publication statusPublished - Oct 2019

User-Defined Keywords

  • 碑學
  • 鄭簠
  • 康有爲
  • 榜書
  • 跨領域
  • Stele-school of calligraphy
  • Zheng Fu
  • Kang Youwei
  • big-character calligraphy
  • interdisciplinary

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