Abstract
张爱玲《小团圆》中的“圣杯”、“神龛”和“神之光”等意象与作者对自我及主体形象的追寻与塑造,建构了《小团圆》全书整体象征符号体系与作者的主体自我的核心。此种自我形象与主体形构,可视为张爱玲在自传体小说书写中一种复杂迂回而又分裂的自我铭刻,展现了张爱玲对“圣杯”式的自我主体之建构及双重书写的叙事策略。
The images like“Holy Grail,”“shrines,”and“light of god”in Little Reunion together with the pursuance and shaping of the author’s self and subjective image form the semiotic system of the whole novel and the core of the author’s sense of self. This kind of self-imaging and subject-construction can be taken as an at once convoluted and schizophrenic self-engraving narrative in Eileen Chang’s autobiographical novel, manifesting Chang’s construction of her subjective self and her double-writing narrative strategy
The images like“Holy Grail,”“shrines,”and“light of god”in Little Reunion together with the pursuance and shaping of the author’s self and subjective image form the semiotic system of the whole novel and the core of the author’s sense of self. This kind of self-imaging and subject-construction can be taken as an at once convoluted and schizophrenic self-engraving narrative in Eileen Chang’s autobiographical novel, manifesting Chang’s construction of her subjective self and her double-writing narrative strategy
| Translated title of the contribution | The“Holy Grail”Image and Its Semiotic Significance in Little Reunion |
|---|---|
| Original language | Chinese (Simplified) |
| Pages (from-to) | 40-47 |
| Number of pages | 8 |
| Journal | 南开学报(哲学社会科学版) |
| Issue number | 4 |
| Publication status | Published - 4 Aug 2015 |
| Externally published | Yes |
User-Defined Keywords
- 张爱玲
- 小团圆
- 女性书写
- 自我主体
- “圣杯”
- Eileen Chang
- Little Reunion
- Female Writing
- Subjective Self
- The Holy Grail
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