Abstract
The exhibition was organized by the Christian Word Calligraphy Society, exhibition Venue: Christian Building, June 2022
古今書論中有「以漢為本」的書學理念。如能深入鑽研漢魏摩崖碑刻及簡帛墨跡，必能對歷代筆意有深刻的理解。有了穩健的漢隸基礎後，上可追較古之甲骨文、金文，而下啓較晚的南北朝碑刻。闡釋上述古代書法美學，並如何轉化為其一糸列近年創作——既包含傳統形式如甲骨文、金文和隸書對聯，又有獨創的跨藝術媒介創作，包括書法雕塑、大型書法表演及場域特定的書法即景創作等。
古今書論中有「以漢為本」的書學理念。如能深入鑽研漢魏摩崖碑刻及簡帛墨跡，必能對歷代筆意有深刻的理解。有了穩健的漢隸基礎後，上可追較古之甲骨文、金文，而下啓較晚的南北朝碑刻。闡釋上述古代書法美學，並如何轉化為其一糸列近年創作——既包含傳統形式如甲骨文、金文和隸書對聯，又有獨創的跨藝術媒介創作，包括書法雕塑、大型書法表演及場域特定的書法即景創作等。
| Translated title of the contribution | Lau Chak Kwong Solo Exhibition:: From Cliff Inscriptions and Steles of the Han and Wei Dynasties to Works of Calligraphy in Ink in the Forms of Bamboo and Wooden Slip Inscriptions and Silk Texts |
|---|---|
| Original language | Chinese (Traditional) |
| Media of output | Other |
| Size | Solo exhibition of 50 calligraphic works (from 150 to 800 cm) |
| Publication status | Published - 4 Jun 2022 |
User-Defined Keywords
- Cliff Inscriptions
- Steles
- Chinese Calligraphy
- Bamboo and Wooden Slip Inscriptions
- Silk Texts
- Synergy between Tradition and Modernity
- Interdisciplinary Approach
- Integration of Art Historical Research with Creative Art Practice of Chinese Calligraphy
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