Intersections of Postcolonial Female Subjectivities: A study of Post-Apartheid South African Women Playwrights and Staging their Voices for Contemporary Anglophone Hong Kong Theatre

Arts & Humanities

1. Theatrical Space 100%
2. Female Subjectivity 90%
3. Hong Kong 89%
4. African Women 75%
5. Playwright 68%
6. Anglophone 65%
7. Queerness 62%
8. South African Theatre 50%
9. Theater Festival 45%
10. South Africa 41%
11. Consciousness 36%
12. Subjectivity 33%
13. 1980s 22%
14. 1970s 21%
15. Female Identity 11%
16. Premiere 9%
17. Contests 7%
18. Practice as Research 6%
19. Apartheid 5%
20. Cultural Boundaries 5%
21. Theatrical Performance 5%