Kenny NG, Dr

Research Output

Research output per year 1997 2019 2020 2022 2024

• 35 Chapter
• 27 Journal article
• 3 Book or report
• 2 Review article
• 3 More
  • 1 Conference paper
  • 1 Editorial
  • 1 Other contribution

Research output per year

Research output per year

Search results

• 2015

  The Lost Geopoetic Horizon of Li Jieren: The Crisis of Writing Chengdu in Revolutionary China

  Ng, K., Mar 2015, Brill Academic Publishers. 334 p. (Sinica Leidensia; vol. 120)

  Research output: Book/Report › Book or report

• 六七暴動與香港的電影文化

  吳國坤, 2015, 1967: 國際視野的反思. 天地圖書有限公司, p. 156-197 42 p.

  Research output: Chapter in book/report/conference proceeding › Chapter

• 大鸟吃小蝇——地方记忆及对李劼人《暴风雨前》的另类读法

  吳國坤, 18 Feb 2015, In: 现代中文学刊. 1, p. 76-90 15 p.

  Research output: Contribution to journal › Journal article › peer-review
• 2011

  Critical sentimentalism: A preliminary inquiry into union film's recreation of western literary classics

  Ng, K., 2011, 我為人人: 中聯的時代印記 = One for all: The Union Film spirit. Hong Kong Film Archive, p. 86-97 12 p.

  Research output: Chapter in book/report/conference proceeding › Chapter

• 《大波》中的时间性和复调性

  吴国坤, 2011, 2011李劼人研究. 曾智中 (ed.). 四川文艺出版社, p. 67-88 22 p.

  Research output: Chapter in book/report/conference proceeding › Chapter

• 以影犯禁: 冷戰，瘟疫，諜戰

  Translated title of the contribution: Image Surveillance: Cold War, The Plague, and Spy War吳國坤, 1 Dec 2011, In: 中國文學學報. 2, p. 313-326 14 p.

  Research output: Contribution to journal › Journal article

  Open Access

  • Spies 100%
  • Plague 90%
  • Surveillance 89%
  • Cold War 86%
  • Screening 63%

• 天長地久有時盡．春殘夢斷了無痕: 試探中聯改編西方文學名著中的批判傷感主義

  吳國坤, 2011, 我為人人: 中聯的時代印記 = One for all: The Union Film spirit. 香港電影資料館, p. 86-97 12 p.

  Research output: Chapter in book/report/conference proceeding › Chapter
• 2010

  The Last Epic Storyteller and Fictional Rewriting in the People’s Republic of China

  Ng, K., 23 Apr 2010, The Intellectual: A Phenomenom in Multidimensional Perspectives. Basov, N., Simet, G., van Andel, J., Mahlomaholo, S. & Netshandama, V. (eds.). Brill, p. 137–143 7 p.

  Research output: Chapter in book/report/conference proceeding › Chapter › peer-review

  • Fiction 100%
  • Storyteller 92%
  • Sichuan 76%
  • Epic 74%
  • Trilogy 58%
• 2009

  Temporality and polyphony in Li Jieren’s The Great Wave

  Ng, K., 2009, Chinese revolution and Chinese literature. Cambridge Scholars Publishing, p. 197-224 28 p.

  Research output: Chapter in book/report/conference proceeding › Chapter

• 冷戰時期香港電影的政治審查

  吳國坤, 2009, 冷戰與香港電影. 香港電影資料館, p. 53-69 17 p.

  Research output: Chapter in book/report/conference proceeding › Chapter

• 語言、地域、地緣政治: 試論五、六十年代國泰/電懋的都市喜劇

  吳國坤, Sept 2009, In: 電影欣賞. 27, 4, p. 96-112 17 p.

  Research output: Contribution to journal › Journal article
• 2008

  Inhibition vs. exhibition: political censorship of Chinese and foreign cinemas in postwar Hong Kong

  Ng, K., 2008, In: Journal of Chinese Cinemas. 2, 1, p. 23-35 13 p.

  Research output: Contribution to journal › Journal article

  • Political Censorship 100%
  • Cinema 84%
  • cinema 73%
  • censorship 72%
  • Cold War 61%

• The screenwriter as cultural broker: Travels of Zhang Ailing's comedy of love

  Ng, K., Sept 2008, In: Modern Chinese Literature and Culture. 20, 2, p. 131-184 54 p.

  Research output: Contribution to journal › Journal article › peer-review

  • Eileen Chang 100%
  • Screenwriter 75%
  • Broker 71%
  • cinema 67%
  • Shanghai 66%

• 李劼人「大河小說」中的地緣詩學與歷史想像

  Translated title of the contribution: Geopoetics and historical imagination in Li Jieren’s format of the Roman Fleuve吳國坤, 2008, 墨痕深處: 文學、歷史、記憶論集. 樊善標, 危令敦 & 黃念欣 (eds.). 1st ed. Hong Kong: 牛津大學出版社, p. 329-349 21 p.

  Research output: Chapter in book/report/conference proceeding › Chapter › peer-review

• 香港电影半生缘: 张爱玲的喜剧想象

  吳國坤, 2008, 重读张爱玲. 上海书店出版社, p. 296-315 20 p.

  Research output: Chapter in book/report/conference proceeding › Chapter
• 2007

  Romantic comedies of Cathay-MP&GI in the 1950s and 60s: Language, locality, and urban character

  Ng, K., Mar 2007, In: Jump Cut: A Review of Contemporary Media. 49

  Research output: Contribution to journal › Journal article › peer-review

  Open Access

• 语言、地域、地缘政治: 五、六十年代国泰/电懋的都市喜剧

  Translated title of the contribution: Language, region, and geopolitics: The urban comedy of Cathay/MP&GI in the 1950s and 60s吳國坤, 2007, 都市文化中的现代中国. Jin, J. (ed.). Shanghai: 华东师范大学出版社, p. 305-322 18 p. (麗娃學術).

  Research output: Chapter in book/report/conference proceeding › Chapter › peer-review
• 1998

  Critical realism and peasant ideology: The garlic ballads by Mo Yan

  Ng, K., Mar 1998, In: Chinese Culture Quarterly. 39, 1, p. 109-146 38 p.

  Research output: Contribution to journal › Journal article

• Metafiction, cannibalism, and political allegory: Wineland by Mo Yan

  Ng, K., Jan 1998, In: Journal of Modern Literature in Chinese. 1, 2, p. 121-148 28 p.

  Research output: Contribution to journal › Journal article › peer-review

  Open Access
• 1997

  Allegorical interpretation: Red sorghum by Mo Yan

  Ng, K., 1997, In: Tamkang Review. 27, 3, p. 343-382 40 p.

  Research output: Contribution to journal › Journal article