Academy of Music

Research Output

Research output per year 1996 2020 2021 2022 2023 2024

• 162 Journal article
• 87 Chapter
• 61 Performance
• 59 Conference paper
• 181 More
  • 52 Composition
  • 31 Conference proceeding
  • 24 Digital, visual or audio products
  • 22 Review article
  • 21 Book or report
  • 7 Software
  • 7 Other contribution
  • 5 Conference abstract
  • 5 Exhibition
  • 4 Conference poster
  • 1 Editorial
  • 1 Letter
  • 1 Working paper

Research output per year

Research output per year

Search results

• 2024

  De Herramienta a Agente: Modelos Distribuidos para Interfaces de Inteligencia Artificial

  Translated title of the contribution: From Tool to Agent: Distributed Models for AI InterfacesAlonso Trillo, R. & Poliks, M., 10 Aug 2024.

  Research output: Contribution to conference › Conference paper › peer-review

• Exo Signals

  Alonso Trillo, R. & Vincze, D., Oct 2024.

  Research output: Contribution to conference › Conference paper › peer-review

• Inteligencia Artificial y Sonido: Enmarque, Limitaciones, Futuro

  Translated title of the contribution: AI and Sound: Framing, Limitations, FutureAlonso Trillo, R. & Poliks, M., Aug 2024.

  Research output: Contribution to conference › Conference paper › peer-review

• Rethinking Sensibility

  Hui, K., 1 Jun 2024.

  Research output: Contribution to conference › Conference paper › peer-review

  • Sensibility 100%
  • 18th Century 34%
  • Enlightenment 24%
  • Novelists 16%
  • Musical Imagination 15%

• The Artificial (applications of AI in music)

  Lewis, G., Sonami, L., Sturm, B., Alonso Trillo, R. & Pachet, F., 20 Sept 2024.

  Research output: Contribution to conference › Conference paper › peer-review
• 2023

  Bridging 'Local' and 'International': Emerging Notational and Performance Practices in Cantonese Choral Music (Keynote Presentation)

  Winzenburg, J., 29 Apr 2023.

  Research output: Contribution to conference › Conference paper

  • Choral music 100%
  • Performance Practice 76%
  • Choral 64%
  • Hong Kong 59%
  • Arts Festivals 9%

• Sculpting Sound: A Theorical and Practical Framework

  Mendez, C., 22 Apr 2023.

  Research output: Contribution to conference › Conference paper › peer-review

  • Sound 100%
  • Sound Installation 87%
  • Musical Instruments 64%
  • Music 62%
  • Experimentation 61%

• The Music of Trauma: Tracing the Real in Wang Xilin’s Piano Concerto Op. 56 (Abstract)

  Irisarri Izquierdo, A., 25 May 2023.

  Research output: Contribution to conference › Conference paper › peer-review

  • Concerto 100%
  • Music 80%
  • Trauma 62%
  • Chinese Cultural Revolution 24%
  • Psychoanalysis 24%

• The Shaping of China’s School Music Education Between Globalization, Nationalism, and Citizenship in the Twenty-First Century

  Ho, W. C., 15 Jul 2023.

  Research output: Contribution to conference › Conference paper › peer-review

  • music lessons 100%
  • nationalism 80%
  • twenty-first century 77%
  • citizenship 67%
  • globalization 63%

• What recordings of 17th-century French harpsichord music (1980-2020) tell us about interpretative strategies and embellishment styles

  Chung, D. Y. S., 10 Nov 2023.

  Research output: Contribution to conference › Conference paper › peer-review

  • Harpsichord 100%
  • Embellishment 87%
  • Music 72%
  • 17th Century 45%
  • Performance 26%
• 2022

  Esculpir el Sonido: un enfoque sistemático para diseñar, construir y componer utilizando instalaciones musicales

  Translated title of the contribution: Sculpting Sound: A Systematic Approach to Designing, Building and Composing Using Sound InstallationsMendez, C., 26 Nov 2022.

  Research output: Contribution to conference › Conference paper › peer-review

  • Sound Installation 100%
  • Musicales 97%
  • Composing 71%
  • Sound 45%

• Interpretations of BWV 903a: A Creative Exploration by Rethinking Historical and Stylistic Considerations

  Chung, D. Y. S., 2 Jul 2022.

  Research output: Contribution to conference › Conference paper › peer-review

  • Johann Sebastian Bach 100%
  • Performer 69%
  • Embellishment 50%
  • Chromatic 47%
  • Harmonics 41%

• "I Should Have My Own Personality": Identity Negotiations in Tan Xiaolin's Art Songs

  Irisarri Izquierdo, A., 13 May 2022.

  Research output: Contribution to conference › Conference paper › peer-review

  • Song 100%
  • Articulation 75%
  • China 69%
  • Art 68%
  • Composer 53%
• 2021

  A study of scribal practice in 17th-century French harpsichord music and its implications for modern editors and performers

  Chung, D. Y. S., 16 Jul 2021.

  Research output: Contribution to conference › Conference paper › peer-review

  • Scribal Practices 100%
  • Harpsichord 94%
  • Music 68%
  • Performer 57%
  • Musicians 55%

• A Study of the preludes with figured bass in F-Pn Vm8 1139

  Chung, D. Y. S., 11 Sept 2021.

  Research output: Contribution to conference › Conference paper › peer-review

  • Prelude 100%
  • Continuo 53%
  • St. George 46%
  • 18th Century 43%
  • Manuscripts 37%

• Enjoying the Yellow River: Music, Nationalism, and Psychoanalysis

  Irisarri Izquierdo, A., 24 Jan 2021.

  Research output: Contribution to conference › Conference paper

• Just beat it: A novel musical test battery to quantify rhythmic integrity, sight-reading accuracy, and musical memorization

  Pelletier, B. D., 29 Oct 2021.

  Research output: Contribution to conference › Conference paper › peer-review

  • Memorization 100%
  • Battery 87%
  • Integrity 67%
  • Musical Skills 66%
  • Technology Assessment 23%

• The Locality of Cantopop Production

  Yang, H. H. L. & Tsang, E., 8 Dec 2021. 7 p.

  Research output: Contribution to conference › Conference paper

  • Locality 100%
  • Musicians 61%
  • Lyrics 33%
  • Creativity 30%
  • Arranger 27%
• 2020

  Buddhism in the Changing Society of Thailand: From Buddhist Chant to Hip-hop

  Ho, W-C., 31 Oct 2020, p. 23-24. 2 p.

  Research output: Contribution to conference › Conference paper › peer-review

  • Hip-hop 100%
  • Chant 98%
  • Thailand 94%
  • Music 88%
  • Buddhisms 78%

• Collaborative Artistic Production Using Generative Adversarial Networks

  Nelson, P., Shanken, D., Alonso Trillo, R., Mouillot, F., Antony, M., Au, R. & Duan, M., 19 Nov 2020.

  Research output: Contribution to conference › Conference paper › peer-review

• Decentering Repertoires and Practices in new Choral Recordings from Asia, in the Roundtable on “Musical Interculturality: Scope, Methods, Approaches"

  Winzenburg, J., Nov 2020.

  Research output: Contribution to conference › Conference paper › peer-review

• How Digital Technology Contributes to the Growth of Small Independent Record Companies in Hong Kong

  Tsang, E., Dec 2020.

  Research output: Contribution to conference › Conference paper

• Interculturality in the ‘Eurasian’ Compositions of Alexander Tcherepnin and Aaron Avshalomov

  Winzenburg, J., 15 Nov 2020.

  Research output: Contribution to conference › Conference paper › peer-review
• 2019

  From Haydn’s “Thinking-Fantasy-Machine” to the Keyboard Sonata Hob. XVI:46: Empfindsamkeit and Fantasia Reconsidered

  Hui, K., 18 Oct 2019.

  Research output: Contribution to conference › Conference paper › peer-review

  • Keyboard 100%
  • Fantasy 70%
  • Composer 69%
  • Sensibility 50%
  • Moderato 49%

• Hong Kong Street Music and Conflicted Uses of the City

  Mouillot, F. & Hochherz, O., 9 Nov 2019.

  Research output: Contribution to conference › Conference paper › peer-review

• School Teachers’ Conceptions of Creativity in Teaching Classroom Music in China

  Ho, W. C., 30 Nov 2019. 1 p.

  Research output: Contribution to conference › Conference paper › peer-review

  • music 100%
  • creativity 92%
  • music lessons 81%
  • China 71%
  • classroom 62%
• 2018

  The Growth of Small Independent Record Companies in Hong Kong since the New Millennium: Charmaine Fong as a Case Study

  Tsang, E., 9 Jun 2018.

  Research output: Contribution to conference › Conference paper

  • Record Companies 100%
  • Hong Kong 62%
  • Millennium 58%
  • Artist 55%
  • Music 48%
• 2015

  Fugitive notes on a fugitive priest: Theodor Rühl, SVD, in Peiping

  Urrows, D. F., Jun 2015.

  Research output: Contribution to conference › Conference paper

• Stylistic development and hybrid genres in Chinese choral music

  Winzenburg, J. D., Feb 2015.

  Research output: Contribution to conference › Conference paper
• 2014

  China’s new choral soundscape: Negotiation and translation of musical-textual imagery

  Winzenburg, J. D., Aug 2014.

  Research output: Contribution to conference › Conference paper

• Movie soundscape as cultural signifier: The construction of cosmopolitanism in Hong Kong movie musicals from the 1960s

  Yang, H. L. H., Aug 2014.

  Research output: Contribution to conference › Conference paper

• Popular music education in school for a changing society in mainland China

  Ho, W. C., Nov 2014.

  Research output: Contribution to conference › Conference paper

• Preferences for popular music in and outside school among Chinese youth: A study of Changsha, China

  Ho, W. C., Jun 2014.

  Research output: Contribution to conference › Conference paper

• Secondary school students' preferences for and perceptions of music styles learned in school music education

  Ho, W. C., Dec 2014.

  Research output: Contribution to conference › Conference paper
• 2013

  Interpretation of BWV 903: A case study in creativity and composer–performer collaboration

  Chung, Y. S. D., Apr 2013.

  Research output: Contribution to conference › Conference paper

• Memory and historiography: A case study of the Yangbanxi

  Yang, H. L. H., Nov 2013.

  Research output: Contribution to conference › Conference paper

• Musical-dramatic experimentation in the Yangbanxi: A case for precedence in the Great Waall

  Winzenburg, J. D., Apr 2013.

  Research output: Contribution to conference › Conference paper

• Musical-dramatic experimentation in the Yangbanxi: A case for precedence in the Great Wall

  Winzenburg, J. D., Apr 2013.

  Research output: Contribution to conference › Conference paper
• 2012

  From colonial modernity to global identity

  Yang, H. L. H., Oct 2012.

  Research output: Contribution to conference › Conference paper

• Heard melodies’ and womanhood: Cover songs in Cantonese movies of the 1960s

  Yang, H. L. H., Jun 2012.

  Research output: Contribution to conference › Conference paper

• Patrolling the Chinese internet: Song censorship in 2011

  Yang, H. L. H., Oct 2012.

  Research output: Contribution to conference › Conference paper

• Some telling images of French Baroque Harpsichord music

  Chung, Y. S. D., Mar 2012.

  Research output: Contribution to conference › Conference paper

• The ‘Wind Qin’: Hearing/reading Chinese reactions to the pipe organ in the late Ming and Qing eras

  Urrows, D. F., Dec 2012.

  Research output: Contribution to conference › Conference paper

• Towards an interpretation of JS Bach’s chromatic fantasia

  Chung, Y. S. D., Oct 2012.

  Research output: Contribution to conference › Conference paper
• 2011

  A comparative study of music aptitude test for elementary school students in Japan, Taiwan and Hong Kong

  Mang, H. S. E., Ogawa, Y. & Lai, M. L., Jul 2011.

  Research output: Contribution to conference › Conference paper

• Chinese vocal styles as cultural signifiers in hybrid musical genres

  Winzenburg, J. D., Jul 2011.

  Research output: Contribution to conference › Conference paper

• Creativity in French keyboard music, 1650s–1770s

  Chung, Y. S. D., Jul 2011.

  Research output: Contribution to conference › Conference paper

• Hearing the cover: Local/global power negotiation in Cantopop from the 1950s to the present

  Yang, H. L. H., Mar 2011.

  Research output: Contribution to conference › Conference paper

• The politics of historical memory and Chinese nationalism: A study of Music Education in Mainland China

  Ho, W. C. & Law, W. W., Apr 2011.

  Research output: Contribution to conference › Conference paper
• 2010

  Almost Chinese: Recalling Aaron Avshalomov’s 'new direction' for China's musical tradition

  Winzenburg, J. D., Apr 2010.

  Research output: Contribution to conference › Conference paper