Projects per year
Organization Profile
Organisation profile
Master of Fine Arts in Film, Television and Digital Media, is a three-year, full-time programme, leading to a terminal degree in creative media production. It is the first of its kind in the Greater China region. Graduates of this programme will become media professionals with artistic sense, social responsibility, and international vision. Some of their career goals will be producers, directors, screenwriters, and other professional areas in the media industry. Graduates with an MFA degree are also eligible to teach at college level in certain higher education communities.
The curriculum ensures that each student receives relatively broad training in film, television and digital media in the first year. The first two semesters are designed to build a foundation for postgraduate media training. Students are required not only to be familiar with the practical operations of film, television and digital media, but also to understand related developments in theory and criticism. In the second year, students have a wide range of elective courses, enabling well-balanced professional training (script writing, film/TV production and digital media production) and artistic nurturing. The third year is dedicated to courses in support of the thesis project.
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Collaborations and top research areas from the last five years
Scholars
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Radio Literature and Transmedia Storytelling in Cold War Hong Kong, 1949–1969
NG, K. (PI) & CHEN, S. (CoI)
1/01/25 → 31/12/27
Project: Research project
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Film Industry and the Straits Chinese between Empires - The Family of Mrs Loke Yew and the Cathay Organisation in Hong Kong, Singapore & Kuala Lumpur, 1920s-70s
CHUNG, P. Y. (PI) & NG, K. (CoI)
1/01/25 → 31/12/27
Project: Research project
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媽樣年華: 第7屆首部劇情片計劃電影作品
陳子安 (Producer), Jan 2026, (In preparation)Translated title of the contribution :Bird Of Paradise: Movie of the 7th First Feature Film Initaitive Research output: Non-textual form › Digital, visual or audio products
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A Better Tomorrow Trilogy: All Our Tomorrows
PO, G. K. T. (Co-producer), 18 Nov 2025Research output: Non-textual form › Digital, visual or audio products
Prizes
Activities
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Theorizing East Asian Ecocinema: Between Nation and Planet
XIE, R. (Speaker)
22 May 2025 → 24 May 2025Activity: Conference/talk/lecture/symposium/speech/workshop, etc › Event organized by non-HKBU units
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Discussant, "Transnational Chinese Cinema in American Chinatowns," Society for Cinema and Media Studies 2025 Conference in Chicago
ZHU, Y. (Organiser)
3 Apr 2025 → 6 Apr 2025Activity: Conference/talk/lecture/symposium/speech/workshop, etc › Event organized by non-HKBU units
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影視數字化浪潮中的職業定位與成長密碼
JIANG, W. (Speaker)
22 May 2025Activity: Conference/talk/lecture/symposium/speech/workshop, etc › Event organized by non-HKBU units
Press/Media
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China's animated hit 'Ne Zha II' gets a second U.S. release, this time with Michelle Yeoh
24/08/25
1 item of Media coverage
Press/Media
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Lights, Camera...Traction?What's next for hina's film industry after Ne Zha 2?
ZHU, Y.
28/04/25
1 Media contribution
Press/Media
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Student theses
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A critical study on wenyi and wenyi film in republican China
Tam, Y. L. (Author), YEH, E. Y. Y. (Supervisor), 23 Mar 2018Student thesis: Doctoral Thesis
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An artistic director as an auteur in contexts: the case study of Dr. Joanna Chan of Hong Kong repertory theatre (1986-1990)
Tao, S. T. (Author), MAN, E. K. W. (Supervisor), 29 Dec 2014Student thesis: Doctoral Thesis
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A political economy of online film exhibition in China
Peng, K. (Author), YEH, E. Y. Y. (Supervisor), 5 Nov 2013Student thesis: Master's Thesis
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