Description
Space Moulin Rouge drag shows, Y2K clubbing, and Sailor Moon costplay nights. Shanghai underground organisations advertise their events through modes of nostalgia and futurity. Within the context of Shanghai, nostalgia is often constructed through a ‘catching up’ logic, which poses China as lagging behind the west. This referent time and place is often unexperienced by participants, as a ‘nostalgia without memory’ which is bound up in a postcolonial dynamics and longing for other modernities. However, digital flyers also reimagine alternative futures through queer futurity and sinofuturism. Through the lens of visual analysis, this paper analyses ‘digital flyers’ on WeChat of clubbing, drag, and indie events in Shanghai. The study furthermore draws on ethnographic fieldwork in Shanghai scenes and interviews with scene participants, including venue owners, event organisers, and performers. The paper argues that through modes of nostalgia and futurity, venues and event organisations create ‘visual worlds’ around their events that encapsulate a sense of utopia.Number of attendees (for events)
20| Period | 28 Aug 2025 |
|---|---|
| Event title | Retrofuturism and Utopia in the 21st Century |
| Event type | Conference |
| Degree of Recognition | International |
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Activities
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Event Promotion as Worldmaking: Gender Codes and Myths of Nostalgia in Shanghai Clubbing, Drag, and Indie Digital Flyers on WeChat
Activity: Conference/talk/lecture/symposium/speech/workshop, etc › Event organized by non-HKBU units
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Hybrid and Visual Worlds: Underground Worldmaking through WeChat Digital Flyers in Shanghai
Activity: Conference/talk/lecture/symposium/speech/workshop, etc › Event organized by HKBU
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Underground Utopias: Nostalgia and Futurity in Shanghai clubbing, drag, and indie event flyers on WeChat
Activity: Conference/talk/lecture/symposium/speech/workshop, etc › Event organized by non-HKBU units